I’ve always had this fascination with orcs and beastmen for some
reason since I was a kid. I don’t know if it was due to the
influences of Greek Mythology and CS Lewis and Tolkien and RE Howard and Frank
Frazetta’s imagery and Ray Harryhausen’s visions, but that stuff has always held
my imagination. Way back in 2003 I became a convert to
Warhammer’s Chaos realm, led astray by Mike “King of all things Nurgle” Butcher
in to the Fantasy game from 40k and away from loyalist Space Marines.
It was easy for me to latch onto the beastmen. Not only
that, back then the book, Hordes of Chaos, allowed the mixing of beastmen with
the barbaric looking warriors of chaos, and I’m an even bigger fan of barbarian
types whether it be Conan or Death Dealer or Kull or Viking. So
the goal back then was always to start with the beastmen and eventually end up
with an entire army of Khorne across the board. Khorne was also
easy as I hate magic and wizards. So, as promised from last
month’s old stuff posting, I have returned to the gors:
Ole three Horn: Love the dead rabbit.
I started modeling the army with plastic beastmen, a kit I
absolutely loved back then. The Gors would form the masses of the
army. My vision of them would be that they would wear scraps of
armor plate and chainmail and not all be completely naked.
Drummer using marauder arms (this was the very last model that I had made for the army) Got to have extra weapons.
My other goal (and still a goal of mine today when building
non-regimental type armies) was to not have a single model in the army look
alike, not a very easy task to accomplish. So I went about
converting things. Also back then at this time my skills with
green stuff were very basic, I was still learning a ton of different techniques
and struggling with all of them. The overlapping plates, I
literally did them as overlapping plates. I did go crazy with
scraps of armor plating. I put them on thighs, shoulders, arms,
chests, hooves, muzzles, you name it.
The leather strap is holding down some chainmail I wish that I would have put more mail under the plate armor.
The chainmail, I had no idea how to do, so I did a bunch of poking
with various tools back then. It turned okay, but is nowhere near
as good as what I can do nowadays. So everything took so much time
and effort.
That red lettering actually says something in the dark tongue, something that is probably profane.
One thing that people are often critical of is the converting of
the arms. I have a lot of poses with the arms holding the weapons
overhead. Now yes I know the shoulder joins in reality do not look
like this, that there should be some sort of armpit showing up, but some
sacrifices need to be made when you are converting 30 of these models, I did
want to get them done sometime this decade.
This is good example of what I was saying. The meat hooks from the Kroot, something I used on the minotaurs also. The red hood is all GS, not my best work.
The other thing very cool about the gor arms is that you can rotate
the forearms and hands easily about the bracers that they have.
Also added a strap holding a shield. I ran out of hands at one point, so just slap on a weapon.
The painting has always led to some criticism. I
chose to go down the path of the miniature painter’s so-called non-metallic
metals or so-called NMM style of painting using yellows and grays for the
metals.
Some people like it, some dislike it with a passion.
I did this in a very stylistic way, similar to how I draw metal in pen
and ink, sort of an imitation of one of my favorite comicbook artists’ styles,
Bart Sears.
The best thing that came out of painting in this style is that I
began to understand how to blend colors both in the palette and on the model,
and also began to gain more control with the brush.
I also began to understand how to highlight in a less stark manner
as compared to my previous army that was all starkly highlighted.
For the fur and skin, I went with a very non-uniform look.
This was also where I began to develop my assembly line approach to
painting, 10-15 models with 3-4 colors in a certain color range.
When I did this I realized that there was speed in a such a methodical
approach that looked good, much, much different than painting an individual
display type model.
I also added even more hair to many of the models, since they
already a good base of hair I wanted more. And some pouches, trophies, food, meat, etc.
Along with just a insane variety of poses and
conversions. The one on the right has a horn strapped to his back, my musicians hack first.
The howler on the left, the one with the severed hand, the one on the far right is one of my favorites.
So there you have it, my old gors. I
still have all of them from this army. I’m very fond of them in
many ways, they bring back good memories, and show one of my many steps of
evolution in the hobby. Yes, there are ungors in the army and I
still have them also, but they just are not as good, and I did not spend
anywhere near the time on them as I did the gors.
And this is probably a good segue as I prepare for the blog
crossover with James Craig’s Lost In the Warp blog and Mike Butcher’s Butcher’s
Bill blog as beastmen and chaos are the theme of the upcoming crossover, so keep
an eye out for what is in store.
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Nice work on those Beastmen.
ReplyDeleteGreat looking beastmen with nice conversions- one of the most characterful lines GW has
ReplyDeleteAlways liked your old school highly converted beastmen army. Great to see more shots of them, and a bit of the history behind them as well!
ReplyDeleteBeautiful Beastmen. The metallics are rusty and used. Fits perfectly.
ReplyDeleteThat is a lot of nice work!
ReplyDeleteAh, great to see these!
ReplyDeleteImpressive and inspiring work, as always. Best, Dean
ReplyDeleteThanks for the compliments guys. Much appreciated.
ReplyDeleteThose look great! Small conversions like extra armour can really makes Gors look awesome.
ReplyDeleteGreat stuff and truly inspirational!
ReplyDelete